Best sE Electronics Microphones: A List With 10 Great Mics!

Best sE Electronics Microphones

Introduction

As you can tell from the title of this article, we’re going to review some of the bestselling microphones from sE Electronics. We’ll give you all the details you need to make the right choice and treat yourself to a brand new microphone.

sE Electronics are far from newcomers in the world of microphone manufacturing, so you can expect nothing less than top-tier quality. Their range is impressive—they produce everything from handheld microphones to large and small diaphragm models, ribbon mics, and stereo setups. Basically, if there’s a mic used in audio engineering, chances are sE makes it.

Let’s quickly take a look at who sE Electronics are. The company was founded in the early 2000s and, in addition to microphones, they also make monitoring systems and microphone isolation shields. Over the years, they’ve focused on perfecting their craft and now have worldwide sales, operating in both the US and Europe.

Here’s a fun fact: sE Electronics actually invented the reflection filter, a gadget that many other companies later adopted—so we definitely need to give credit to these trailblazers!

Another great thing worth mentioning is that sE Electronics is the only company to have officially collaborated with Rupert Neve to create microphones. This partnership makes them stand out, as Rupert Neve is a legend in the world of studio equipment.

Now that you know a bit about the brand’s background, let’s dive into reviews of their most famous microphones. We’ll guide you in choosing the right one for you and include quick links so you can make that impulse purchase online!

sE Electronics Logo

Here are 10 of the best sE Electronics microphones, listed in no particular order.

1. sE Electronics V7

The sE Electronics V7 Supercardioid Dynamic Microphone is a reliable, rugged, and truly roadworthy mic that delivers a lush, vibrant, and musical sound. Part of sE Electronics’ V Series, these dynamic microphones are designed to handle tough touring schedules and outperform others in their class, thanks to the company’s extensive experience with engineers and bands.

Every part of the V7 is made of metal—there are no plastic components. Built to withstand years of onstage use, the chassis features a highly durable, dent-resistant zinc alloy, while the spring steel mesh grille is both corrosion-free and dent-proof.

The V7 offers a greater high-frequency extension, with roll-off starting at 14 kHz instead of 10 kHz. The sibilance dip is also wider, reaching down to 4.5 kHz instead of 5.5 kHz. Additionally, the presence peak is positioned at a lower frequency, 3 kHz rather than 4.2 kHz. This results in a clear improvement in the upper mids and highs, giving the V7 a noticeably better sound.

You don’t have to worry about handling noise on stage with the sE Electronics V7. It features an integrated shock mount that isolates the capsule from the microphone body, effectively eliminating rumble and other unwanted sounds.

An internal windscreen further reduces wind noise and plosives. The V7 comes with windscreens in both red and black, so you can choose the color that best matches your personal style.

SE Electronics V7
Features

  • Dynamic
  • Supercardioid characteristic
  • An integrated pop filter
  • Robust microphone cap made of rugged spring steel
  • Gold-plated XLR connector
  • Frequency response: 40 – 19,000 Hz

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sE Electronics V7

2. sE Electronics SE8 Stereo Set

The sE8 Microphone Series from sE Electronics is a unique line of pencil microphones packed with performance features that truly stand out. With several models to choose from, the sE8 is definitely one to consider for enhancing your audio recording experience.

Each pair of microphones is hand-selected and perfectly matched, ensuring consistent sound quality and excellent balance for any stereo recording application. From my initial research, I found that the factory-installed cardioid capsules are easily removable and replaceable. This suggests that we can look forward to a wider variety of capsules in the future, which will make these mics even more versatile.

The included aluminum flight case is ideal for transporting the microphones between venues or for storing them safely when not in use. It also offers a convenient place to keep microphones, clips, pop filters, and the stereo bar all together.

Additionally, the capsules are securely housed and designed to work well even with closed microphones. Thanks to the recessed pad and high-pass filter switches, you can use these mics around crowded drum kits or close to musicians without getting in the way.

The sE8’s short and efficient signal path doesn’t use ICs or transformers, allowing it to capture acoustic instruments like guitar, piano, strings, woodwinds, and percussion in a natural and transparent way. These mics are truly impressive!

SE Electronics SE8
Features

  • Handmade small diaphragm condenser capsule
  • Polar pattern: Cardioid
  • Max. SPL (0.5% THD): 139/149/159 dB SPL (0/10/20 dB pad)
  • 13 dB (A) inherent noise
  • LoCut switchable: 80 / 160Hz (6dB / oct.)
  • Frequency range: 20 to 20,000 Hz

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sE Electronics SE8

3. sE Electronics DynaCaster DCM 8

Designed for podcasters, music producers, and sound engineers who appreciate crystal-clear clarity and a warm, natural sound, the professional dynamic microphone from sE Electronics is an excellent choice.

You can use this microphone for live streaming, gaming with friends, recording vocals and spoken word, and even capturing electric guitars and percussion. Its three-layer windscreen, protected by a durable all-metal chassis with outstanding anti-vibration properties, ensures that no ambient noise or unwanted sounds get through.

The microphone features a beautifully executed design, with careful attention paid to details like the integrated swivel mount. This allows you to attach it easily to almost any microphone stand or boom arm, making setup quick and simple. The three-layer removable pop filter/windscreen is also easy to clean.

The mic’s capsule, equipped with an aluminum voice coil and mounted in an integrated shock mount, is based on the respected sE V7 handheld microphone, but with modifications to enhance versatility.

DynaCasters are equipped with integrated Dynamite preamps, providing up to 30 dB of gain and six equalization presets to choose from. The DMC8 cardioid directional capsule offers excellent isolation, and its frequency response is nearly flat from 200Hz to 10kHz, with a gentle roll-off at low frequencies and a more pronounced roll-off at the high end.

The package includes an integrated microphone mount with gold-plated XLR connectors, threaded adapters, and a foam windscreen. Whether you’re a producer, vocalist, podcaster, or just need to mic up guitar cabinets, there are plenty of reasons to consider the DynaCaster.

SE Electronics DynaCaster DCM 8
Features

  • Ideal for speech and vocals
  • Polar pattern: Cardioid
  • Integrated preamp boosts level by 30 dB when needed
  • Filter to cut or boost bass frequencies
  • Integrated three-layer windscreen
  • Frequency range: 20 – 19,000 Hz

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sE Electronics DynaCaster DCM 8

4. sE Electronics VR1

With the VR1 ribbon microphone, CEO Siwei Zou has developed a patent-pending design that captures the full frequency range from 20Hz to 20kHz with a remarkably linear response.

Even though the VR1 is a relatively compact microphone, its unique design—including a metal plate integrated into the housing—allows it to capture all the high frequencies that are often lost with ribbon microphones. At the same time, it maintains a natural and open sound. Even with its ability to capture higher frequencies, the smooth response that ribbon microphones are known for is preserved.

Before the release of the Voodoo series, the only full-frequency ribbon microphone available was sE Electronics’ RNR1, created in collaboration with Rupert Neve. While the RNR1 is an outstanding microphone, it comes with a high price tag.

Everything changed when sE Electronics introduced the Voodoo series, offering similar performance at a much more affordable price. Thanks to an innovative electrical circuit, achieving full-frequency sound on a budget is now possible.

When building a microphone collection, the same models often turn up again and again, leading to recordings that sound similar. Take a chance on sE Electronics’ new Voodoo VR1 ribbon microphone and break the mold. Your recordings will gain a new character that simply isn’t possible with any condenser microphone on the market today.

sE Electronics VR1
Features

  • Passive
  • Sensitivity: 1.6mV/Pa (- 56 ± 1.5 dB)
  • Figure 8 characteristic
  • Impedance: < 300 Ohm
  • Equivalent signal to noise ratio: 10dB(A)
  • Frequency range: 20 Hz-18 kHz

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sE Electronics VR1 Voodoo

5. sE Electronics SE 2200

Whether you’re recording vocals, guitar amps, or just about anything else you can imagine, the sE2200 is an excellent choice. This review aims to provide a detailed analysis of every aspect of this microphone and explain why it’s such a great option for anyone looking to upgrade their gear.

When compared to other microphones in its price range, the sE2200 stands out for its smoother and more refined sound. By gently boosting the 10kHz frequency, you can add a pleasant airiness to vocals, helping them cut through the mix and stand out.

Each microphone capsule is handcrafted, and the overall build quality is outstanding. The package conveniently includes both a shock mount and a pop filter, which are essential accessories that would otherwise add significantly to your total cost.

Reflection filters are designed to surround the microphone and minimize room reverb during recording. In smaller studios, these filters are especially useful for reducing slapback echo in spaces without acoustic treatment. The reflection filter attaches to a standard microphone stand using a secure rubber clamp.

Beyond its impressive sound and reliable performance, the sE2200 is remarkably sensitive. Its surface-mounted electronic components are built to tight tolerances, ensuring high-quality results with any sound source. This microphone truly is a workhorse!

SE Electronics SE 2200
Features

  • Polar pattern: Cardioid
  • Gold-plated 1″ double membrane
  • 10/20 dB pad switch
  • 80/160 Hz low-cut switch
  • Requires +48 V phantom power
  • Frequency range: 20 – 20,000 Hz

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sE Electronics SE 2200

6. sE Electronics RNR1

Mr. Neve’s first foray into microphones was the active ribbon mic RNR1, where he applied his expertise in transformer technology and circuit board design to set a new benchmark for ribbon microphones. Ribbon mics are highly prized by engineers for their ability to deliver a smooth, natural, and flattering sound.

Because the RNR1 is an active ribbon microphone, you’ll need to provide it with +48V phantom power. While neither the included documentation nor the website specify the minimum phantom power voltage, it’s reasonable to assume that a microphone of this caliber would benefit from a higher voltage to achieve the best possible sound quality.

Traditional ribbon microphones typically show a frequency response that’s 5-10dB down at 15 kHz, but the RNR1 boasts a near-flat response that extends all the way to 25 kHz, with very low self-noise. There’s no question that these specs place it among the very best microphones available, regardless of type.

The RNR1 outperforms most ribbon microphones around the 7-10 kHz range, where many ribbons experience a dip in performance. As a result, this ribbon mic offers a remarkably flat frequency response and an exceptionally natural sound. With the RNR1, you can capture instruments and vocals with greater accuracy than ever before.

Features

  • Designed and built by Rupert Neve and sE Electronics
  • 2.5 micron aluminium ribbon
  • Directional characteristics: Figure Eight
  • Equivalent Noise Level: 15 dB (A weighted)
  • Output impedance: 200 ohms balanced
  • Frequency response: 20 Hz – 25 kHz

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sE Electronics RNR1

7. sE Electronics X1R

Ribbon microphones have been around for a while, but the X1R stands out with a few unique features. Unlike large-diaphragm condenser mics, ribbon microphones are known for delivering less high end and a lower output level.

Ribbon mics are typically passive, and the sE X1R model is notably more affordable than the passive Voodoo microphones. Its ribbon element is powered by a neodymium-magnet motor, and it uses technology borrowed from the Voodoo HF extension models. However, its high-frequency response isn’t quite as extended. sE describes the X1R’s ribbon technology as a blend of classic and modern approaches.

The X1R can handle a sound pressure level of 135dB, which is impressively high. By reducing some of the low end to counteract proximity effect and adding a boost around 5kHz, you’ll get a sound that’s thick and warm—perfect for something like a blues guitar.

The microphone’s element is housed in an sE X1 cardioid chassis and surrounded by neodymium magnets. With a frequency response reaching up to 16 kHz and a subtle high-frequency lift, the X1R offers a traditional ribbon sound with a gentle presence boost. If you appreciate the characteristics of ribbon microphones, the X1R is highly recommended.

SE Electronics X1R
Features

  • Well suited for picking up guitar amplifiers
  • Type: Passive
  • Capsule: aluminium ribbon
  • Sensitivity: -55.3 dB 1V / Pa / – dB
  • Directional characteristics: Figure Eight
  • Frequency response: 20-16000 Hz / – 1 dB

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sE Electronics X1R

8. sE Electronics T2

In the second generation of titanium-diaphragm FET condenser microphones, sE Electronics introduces the T2. Its ability to handle transients brings out the best in impactful sound sources, such as percussion and drum shells, as well as vocal performances like rap, spoken word, voice-overs, and dynamic singing styles.

With its -10 dB and -20 dB pads, the T2 lets you record loud sound sources—like drums—without distortion. While many people first buy the T2 for recording drums, they soon discover it works just as well for acoustic guitar and vocals. Strumming and picking on acoustic guitars sound clearer and more detailed than with most other microphones.

The T2 is essentially an sE 4400a, but with the titanium dual-diaphragm capsule from the Titan replacing the 4400a capsule. According to sE, the T2 uses the same chassis as the 4400a. Both microphones share identical electronic controls: they offer four polar patterns—Cardioid, Hypercardioid, Figure of Eight, and Omni.

This is a great microphone that performs well and holds its own among others in its price range. It has a very flat response, delivers accurate definition and fast transients, and works well in almost any recording setup you can imagine.

SE Electronics T2
Features

  • With special titanium membrane
  • Sensitivity: 28mv / pa-31 ± 1dB
  • Polar pattern: omnidirectional, cardioid, super cardioid, figure-8
  • Impedance: <= 50 ohms
  • Equivalent noise level: 14dB (A)
  • Frequency response: 20 Hz-20 kHz

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sE Electronics T2

9. sE Electronics Z 5600A Mk II

The Z5600A is now being used in many of the world’s top professional studios as a brand-new, updated model. Not only is it extremely versatile, but it’s also one of the most effective vocal microphones available. With nine selectable steps between omni, cardioid, and figure-of-eight capsule patterns, the Z5600A is perfect for a wide range of uses—from recording live drum kits to capturing overhead acoustics.

Most importantly, this excellent microphone delivers superb vocal recordings, offering natural warmth and impressive detail. The Z5600A comes in a wooden presentation case and is also housed in a sturdy aluminum flight case, which includes a shock mount, power supply with pattern switching, and all necessary cables.

New to the ‘II’ version of the microphone are a -10 dB pad and a high-pass filter (100 Hz), both accessible via switches on the microphone body. Additionally, self-noise has been improved, reduced from 16dBA to just 12dBA compared to the original Z5600A.

It’s fair to say that sE Electronics has put together an impressive package with the Z5600A II. With its smooth vocal sound and wide range of applications, this microphone offers exceptional value for the money.

SE Electronics Z 5600A Mk II
Features

  • With 12AT7 tube
  • Gold plated 1.07 “diaphragm
  • Including spider, flight case, microphone
  • 9 different characteristics switchable on the supply
  • Impedance: 200 ohms
  • Frequency range: 20 Hz – 20 KHz

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sE Electronics Z 5600A Mk II

10. sE Electronics RNT

The RNT is the third tube condenser microphone developed through the collaboration of sE Electronics and Rupert Neve Designs. Both stages of the microphone use discrete components, making it a true class-A design. The large, retro-style power supply offers nine different polar patterns, including omni, cardioid, figure eight, and all options in between.

The microphone has two main stages: the first is a tube-based section featuring an ultra-low noise ECC82 tube inside the microphone’s chassis, and the second is a custom-built RND output transformer. This design delivers a wide dynamic range and exceptionally high SPL handling, while the class-A circuitry keeps the noise floor extremely low.

The microphone’s diaphragm, tube, and internal components are all housed in a durable metal chassis and are handmade at the sE factory. The second stage of the mic is handled in the power supply, which also provides three gain settings and two high-pass filters at 40Hz and 80Hz.

For standard use, the gain is set at 0dB, which already provides considerable output. Use the +12dB setting for very soft or intimate sources, and switch to -12dB for louder sources like strong vocalists, drums, or electric guitar amps.

In cardioid mode, the RNT sounds transparent and present. Even when placed close to a singer or speaker, voices come through articulate and crystal clear. Overall, we believe this is the finest microphone sE has ever made, and there are many reasons to think this statement is absolutely true.

SE Electronics RNT - Best sE Electronics Microphones
Features

  • Polar patterns: Cardioid, omni, figure eight plus six intermediate stages
  • Rupert Neve custom transformer and operational amplifier
  • Gain settings: -12 dB, 0 dB, +12 dB
  • Max. SPL: 151 dB
  • Dynamic range: 133 dB
  • Frequency range: 20 – 20,000 Hz

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sE Electronics RNT

Conclusion

We believe we’ve covered all the key information about these 10 microphones, and if you were considering buying one, this review should help you make your decision with confidence.

As you can see, sE Electronics has spent over 20 years perfecting their microphones, and that experience really shows. If you have any questions about this article or any of the microphones mentioned, feel free to leave a comment below or reach out to sE Electronics customer care for more detailed answers!

Nikoloski
Nikoloski

Nikoloski is the founder and main content writer and editor of Mixing Tips. With his experience in audio engineering, mixing, and mastering for over 15 years, will provide hands-on experience and expertise in all the matters covered on this website.

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