JZ Microphones Vintage 67
- Diaphragm: 25 mm
- Frequency range: 20 Hz – 20 kHz
- Polar pattern: Cardioid
- Output impedance: 50 ohms
JZ Microphones Vintage 67 Review
Inspired by the work of Juris Zarins, JZ Microphones began its journey in the world of audio technology in 2007 in Latvia. With years of experience and dedication, Juris Zarins (whose initials are JZ) decided to create his own line of microphones, giving rise to the company.
One of the most recognizable microphones in their lineup is the JZ Vintage 67, which we will highlight in this honest review. According to the company, the V67 sounds amazing on various sources, such as guitar amps, drum overheads in a pair, tenor sax, and male vocals.
This tells us something important about this microphone—it truly shines in the lower register of frequencies, and that’s where its sweet spot can be found. Let’s take a closer look at what you can expect from this microphone.
The JZ V67 is a large diaphragm, cardioid condenser microphone. It features a transformer-less FET design, created to capture the sound of the Neumann U67—nothing more. While we mention the Neumann U67 here, the similarity is really just in the name.
These two microphones are actually quite different in both design and internal components, though the JZ V67 is shaped to sound close to the Neumann. This makes them very different microphones overall. The Neumann is a tube microphone, while the Vintage 67 is not—and that’s the main distinction between these two impressive microphones.
JZ Vintage 67 Sound
When it comes to the sound of this fantastic microphone, we can say it offers clear, open high frequencies without being too harsh at the top end. The proximity effect is natural and present, but not overwhelming.
This results in a balanced vocal sound when the mic is positioned about 15 to 20cm away. Paired with a pop shield, it delivers wonderfully intimate tones. On acoustic guitar, the sound is gorgeous and clean in the high frequencies, while the gentle mid-range boost beautifully captures the nuances of picking.
However, where the Vintage V67 truly shines is with advanced high frequencies, bringing out the best in brass, strings, percussion, and drum overheads. Although we didn’t have a stereo pair to test, we are confident these microphones would be excellent as drum overheads.
JZ Vintage 67 Build and Design
This is a double large diaphragm condenser microphone that comes packaged in a cardboard box. On the back, you’ll notice a screw that’s used to secure the capsule during shipping. The first thing you should do when you take the microphone out of the box is simply remove this screw.
At the bottom of the microphone, you’ll find a joint that’s sturdy enough to hold the microphone in place, but still flexible so you can adjust it to fit your needs and preferred microphone placement.
This mic also features built-in shock mount technology. That means the shock mount is actually inside the microphone itself. It also uses class-A discrete electronics and JZ Microphone’s unique Golden Drop technology.
What this means is that the one-inch diaphragm is extremely thin and lightweight. In fact, the microphone itself is lighter than other microphones of this type. Because the diaphragm can move more quickly, you’ll get extra precision and clarity in your recordings.
In terms of sound, this microphone can handle a sound pressure level of up to 134 dB, which is quite loud. That makes it great for recording loud sources like guitar amps, drums, and more, so it’s well-equipped to handle those situations.
- Transducer Type: Electrostatic
- Operating principle: Pressure gradient
- Polar Patterns: Cardioid
- Diaphragm’s active diameter: 25 mm
- Frequency Response: 20 Hz – 20 kHz
- Sensitivity at 1 kHz: 22 mV/Pa
- Output Impedance: 50Ω
- Rate Load Impedance: >1000Ω
- Maximum SPL: 134 dB SPL (2.5kΩ, 0.5% THD)
- Noise Level: 6 dB-A
- Power Requirement: + 48V DC Phantom Power
- Output connector: 3-pin XLR male
Why You Need the JZ Vintage 67
As we mentioned before, the Vintage 67 was designed to capture the sound of the Neumann 67—a microphone that costs much more than the Vintage 67. So, if you want that classic Neumann sound without spending a fortune, the JZ Vintage 67 is the perfect choice.
This mic isn’t just great for vocals; it works well with a wide range of sources, making it an incredibly versatile option for different recording situations. With this one microphone, you can handle many different signals and still get excellent results—truly impressive! There aren’t many microphones that can do this, but the Vintage 67 is definitely one of them.
Conclusion
If you were on the fence about getting this microphone, we hope our review gave you that extra push to go for it. And if you decided to buy it—congratulations! You now own an incredible microphone. JZ Microphones really delivered with this one, and we’re very pleased with how it sounds on a wide range of sources.
If you have any questions or concerns about this mic, feel free to ask in the comment section below, or reach out directly to the manufacturer for more detailed information about the Vintage 67 microphone!
